The hitchhikers guide to the galaxy by douglas adams

Douglas Adams

Ages 12+

01 September 2009

9780330508117

208 pages

Synopsis

Go on a galactic adventure with the last human on Earth, his alien best friend, and a depressed android. Introducing younger readers to The Hitchhiker's Guide to the Galaxy, this YA edition of the funny sci-fi classic includes an introduction from Artemis Fowl author Eoin Colfer.

One Thursday lunchtime the Earth gets unexpectedly demolished to make way for a new hyperspace bypass. It's the final straw for Arthur Dent, who has already had his house bulldozed that morning. But for Arthur, that is only the beginning . . .

In the seconds before global obliteration, Arthur is plucked from the planet by his friend Ford Prefect – and together the pair venture out across the galaxy on the craziest, strangest road trip of all time!

Totally hilarious, The Hitchhiker's Guide to the Galaxy has been a radio show, TV show, stage play, comic book and film, and is and a work of utter comic genius from Douglas Adams.

  • Science Fiction & Fantasy

    The ultimate guide to The Hitchhiker’s Guide to the Galaxy books, universe and everything

    13/05/2022

What Was He Like,
Douglas Adams?

He was tall, very tall. He had an air of cheerful diffidence. He combined a razor-sharp intellect and understanding of what he was doing with the puzzled look of someone who had backed into a profession that surprised him in a world that perplexed him. And he gave the impression that, all in all, he was rather enjoying it.

He was a genius, of course. It’s a word that gets tossed around a lot these days, and it’s used to mean pretty much anything. But Douglas was a genius, because he saw the world differently, and more importantly, he could communicate the world he saw. Also, once you’d seen it his way you could never go back.

Douglas Noel Adams was born in 1952 in Cambridge, England (shortly before the announcement of an even more influential DNA, deoxyribonucleic acid). He was a self-described “strange child” who did not learn to speak until he was four. He wanted to be a nuclear physicist (“I never made it because my arithmetic was so bad”), then went to Cambridge to study English, with ambitions that involved becoming part of the tradition of British writer/performers (of which the members of Monty Python’s
Flying Circus are the best-known example).

When he was eighteen, drunk in a field in Innsbruck, hitchhiking across
Europe, he looked up at the sky filled with stars and thought, “Somebody ought to write the Hitchhiker’s Guide to the Galaxy.” Then he went to sleep and almost, but not quite, forgot all about it.

He left Cambridge in 1975 and went to London where his many writ-ing and performing projects tended, in the main, not to happen. He worked with former Python Graham Chapman writing scripts and sketches for abortive projects (among them a show for Ringo Starr which contained the germ of Starship Titanic) and with writer-producer John Lloyd
(they pitched a series called Snow Seven and the White Dwarfs, a comedy about two astronomers in “an observatory on Mt. Everest–“The idea for that was minimum casting, minimum set, and we’d just try to sell the series on cheapness”).

He liked science fiction, although he was never a fan. He supported himself through this period with a variety of odd jobs: he was, for example,
a hired bodyguard for an oil-rich Arabian family, a job that entailed wearing a suit and sitting in hotel corridors through the night listening to the ding of passing elevators.

In 1977 BBC radio producer (and well-known mystery author) Simon
Brett commissioned him to write a science fiction comedy for BBC Radio
Four. Douglas originally imagined a series of six half-hour comedies called The Ends of the Earth–funny stories which at the end of each, the world would end. In the first episode, for example, the Earth would be destroyed to make way for a cosmic freeway.

But, Douglas soon realized, if you are going to destroy the Earth, you need someone to whom it matters. Someone like a reporter for, yes, the
Hitchchiker’s Guide to the Galaxy. And someone else . . . a man who was called Alaric B in Douglas’s original proposal. At the last moment Douglas crossed out Alaric B and wrote above it Arthur Dent. A normal name for a normal man.

For those people listening to BBC Radio 4 in 1978 the show came as a revelation. It was funny–genuinely witty, surreal, and smart. The series was produced by Geoffrey Perkins, and the last two episodes of the first series were co-written with John Lloyd.

(I was a kid who discovered the series–accidentally, as most listeners did–with the second episode. I sat in the car in the driveway, getting cold, listening to Vogon poetry, and then the ideal radio line “Ford,
you’re turning into an infinite number of penguins,” and I was happy;
perfectly, unutterably happy.)

By now, Douglas had a real job. He was the script editor for the long-running
BBC SF series Doctor Who, in the Tom Baker days.

Pan Books approached him about doing a book based on the radio series,
and Douglas got the manuscript for The Hitchhiker’s Guide to the
Galaxy in to his editors at Pan slightly late (according to legend they telephoned him and asked, rather desperately, where he was in the book, and how much more he had to go. He told them. “Well,” said his editor,
making the best of a bad job, “just finish the page you’re on and we’ll send a motorbike around to pick it up in half an hour”). The book, a paperback original, became a surprise bestseller, as did, less surprisingly, its four sequels. It spawned a bestselling text-based computer game.

The Hitchhiker’s Guide to the Galaxy sequence used the tropes of science fiction to talk about the things that concerned Douglas, the world he observed, his thoughts on Life, the Universe, and Everything. As we moved into a world where people really did think that digital watches were a pretty neat thing, the landscape had become science fiction and
Douglas, with a relentless curiosity about matters scientific, an instinct for explanation, and a laser-sharp sense of where the joke was, was in a perfect position to comment upon, to explain, and to describe that landscape.

I read a lengthy newspaper article recently demonstrating that Hitchhiker’s
was in fact a lengthy tribute to Lewis Carroll (something that would have come as a surprise to Douglas, who had disliked the little of
Alice in Wonderland he read). Actually, the literary tradition that Douglas was part of was, at least initially, the tradition of English Humor Writing that gave us P. G. Wodehouse (whom Douglas often cited as an influence,
although most people tended to miss it because Wodehouse didn’t write about spaceships).

Douglas Adams did not enjoy writing, and he enjoyed it less as time went on. He was a bestselling, acclaimed, and much-loved novelist who had not set out to be a novelist, and who took little joy in the process of crafting novels. He loved talking to audiences. He liked writing screenplays.
He liked being at the cutting edge of technology and inventing and explaining with an enthusiasm that was uniquely his own. Douglas’s ability to miss deadlines became legendary. (“I love deadlines,” he said once. “I love the whooshing sound they make as they go by.”)

He died in May 2001–too young. His death surprised us all, and left a huge, Douglas Adams—sized hole in the world. We had lost both the man
(tall, affable, smiling gently at a world that baffled and delighted him)
and the mind.

He left behind a number of novels, as often-imitated as they are, ultimately,
inimitable. He left behind characters as delightful as Marvin the
Paranoid Android, Zaphod Beeblebrox and Slartibartfast. He left sentences that will make you laugh with delight as they rewire the back of your head.

And he made it look so easy.

–Neil Gaiman,
January 2002

(Long before Neil Gaiman was the bestselling author of novels like American Gods and
Neverwhere, or graphic novels like The Sandman sequence, he wrote a book called Don’t
Panic, a history of Douglas Adams and the Hitchhiker’s Guide to the Galaxy.)

What is the point of Hitchhiker's Guide to the Galaxy?

'Hitchhiker,' a Guide to Douglas Adams Bundell said the story is a satire on what happens around the world and what we're doing to our planet and is still relevant today. In the story, Vogons are an alien race destroying planets to make way for construction of a new hyperspace bypass.

Does Douglas Adams appear in Hitchhiker's Guide to the Galaxy?

Douglas Adams appears in several places in the series. He appears in the pub in The Hitchhiker's Guide to the Galaxy: Episode #1.1 (1981), in the intro to The Hitchhiker's Guide to the Galaxy: Episode #1.2 (1981), in various animated sequences, at the restaurant, and at the committee meeting on prehistoric Earth.

What is the meaning of 42 in The Hitchhikers Guide to the Galaxy?

The number 42 from Douglas Adams' 'The Hitchhiker's Guide to the Galaxy' represents all meaning ('the meaning of life, the universe, and everything') as determined by the fictional supercomputer Deep Thought. The number 42 is not a particularly significant number in base 13.

What age is the Hitchhiker's Guide to the Galaxy suitable for?

Find This Book In.